Info in English

Renato Gabrielli, playwright, actor and theatre director, was born in Milan in 1966. He is a teacher of playwriting at the Scuola d’Arte Drammatica “Paolo Grassi” in Milan.

Some of his plays were produced in English-speaking countries and are available in English:

A mobile thriller (Qualcosa trilla, translated in English by Margaret Rose; Hush Productions, dir. Carrie Cracknell; Herald Angel Award at the Edinburgh Festival Fringe 2004.)

Death and the City (Qualcosa trilla, Vocazione, Il figlio della 90, translated in English by Margaret Rose, published in “Plays International”, April/May 2004)

A Different Language (Suspect Culture/Teatro Stabile di Trieste, dir. Graham Eatough, 2005)

Inner Circle (adapted by Martin O’Connor from Il figlio della 90, Glasgow Subway Festival, dir. Neil Doherty, 2009)

Eat Your Heart Out (Tre – Una storia d’amore, translated by Ann Marie Di Mambro, Oran Mor, Glasgow, dir. Graham Eatough, 2009)

Woman Reading (La donna che legge, translated by Margaret Rose, reading produced by Kairos Italy Theater, Italian Theater Festival New York, dir. Laura Caparrotti, 2017).

Among his other plays, staged in Italy:

Lettere alla fidanzata (Letters to the fiancée, 1989)

Marta e Maria (1992)

Oplà, siamo vivi! (We’re alive!, 1993)

Moro e il suo boia (Thomas More and his executioner, 1994; published by Edizioni “Vita e Pensiero”)

Zitto, Menocchio! (Shut up, Menocchio!, 1996)

Una donna romantica (A romantic woman, 1998)

Curriculum Vitae (1999)

Giudici (Judges, 2002; published by the theatre review “Hystrio”)

Vendutissimi (Everyone is sold off, 2003).

Cesso dentro (Inside Toilet, 2005)

Salviamo i bambini (Let’s save the children, 2006 – awarded with Premio Speciale Autori – Centro Studi “Franco Enriquez”)

Tre – Una storia d’amore (2008; published by the theatre review “Hystrio” – awarded with Premio Milano per il Teatro 2009)

Questi amati orrori (2010 – published by the theatre review “Hystrio”)

Maturità – Una farsa (2011)

Combattenti (2014; published by the theatre review “Hystrio”)

Redenzione (2017)

 

 

 

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